And we surely wouldn't want to. Facebook; Instagram; Vimeo; Linkedin . He currently leads one of the CNSs research initiatives; this explores the history of nanotechnology and its place in the broader context of the 20th century science and technology. From sourcing the best ingredients for our products to helping navigate insurance coverage and orders, the Kate Farms team puts people first, always. S lng "Trch dn bi" bao gm trch dn trong cc bi vit sau y trong Scholar. hb```b``b`a``cad@ A6 daxP`Bca4 R@9Tjx5n$_L]r0:G\KE. Despite this trend, computational and manual forms of creation are not mutually exclusive. AlloSphere Research Group. His studio in Beijing specializes in live music performance over highspeed networks. Title. UCSB Center for Responsible Machine Learning. She is the recipient of a Brain and Behavior Young Investigator Award, a Robert Wood Johnson Foundation . mscafide@ucsb.edu, Science (Biology, Chemistry, Earth Science, Physics) 0000009548 00000 n Jennifer Jacobs and Amit Zoran Hybrid Practice in the Kalahari: Design Collaboration Through Digital Tools and Hunter Gatherer Craft. The visualization is scheduled for operation until 2019, with approximately 30000 items checked-out per day resulting at this time, in a collection of over 90 million datasets. 0000010120 00000 n Research in HCI, with focus on Expressive and Creative Computing and Manufacturing. Much of her work involves developing and using spatial simulation models to integrate data from multiple field-based monitoring studies in order to generalize results to larger watersheds. As part of her research, she has conducted craft and technology workshops around the world. Professor Assistant Professor His current major project, which he started in 2005 as a University of California multi-campus, collaborative research group, is Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. We couldn't do it without you, our amazing faculty and staff members. Since 1996, he has written widely on the history of science and technology after 1945 including two books: Giant Telescopes: Astronomical Ambition and the Promise of Technology (Harvard University Press, 2004) is an exploration of the politics, policy, and technology behind the current generation of ground-based telescopes while Keep Watching the Skies: The Story of Operation Moonwatch and the Dawn of the Space Age (Princeton University Press, 2008) chronicles the activities of citizen-scientists who organized a global network of satellite spotters during the Cold War. Office: ED 3232, Single-Subject (SST, Secondary) The Expressive Computation Lab (ECL) is a research group within the Media Arts and Technology Department at the University of California Santa Barbara directed by Prof. Jennifer Jacobs. The Allosphere, a unique instrument for interactive real-time scientific visualization, has been used in scientific collaborations across scales from the atomic, through the nano to the biological. Matthew Turk is current President of the Toyota Technological Institute at Chicago, an independent philanthropically endowed graduate research institute that focuses on computer science theory and artificial intelligence. Her research examines ways to diversify participation and practice in computer programming by building computational tools for art, design, digital fabrication, and craft. Research Assistant, MIT Media Lab Cambridge, Massachusetts, 2011-2017 tdewar@ucsb.edu jennifer jacobs ucsbhow to check how many warnings you have on roblox. Login with your UCSB net ID to manage your events. Chandra has supervised and mentored over 40 students, has published her work in a wide range of ACM venues including CGO, ECOOP, PACT, PLDI, OOPSLA, ASPLOS, and others, and leads several educational and outreach programs that introduce computer science to young people, particularly those from underrepresented groups. Sarah Rosalena Brady is Assistant Professor of Art at UC Santa Barbara in Computational Craft and Haptic Media. When he arrived at UCSB, McCray became more interested in the history of nanotechnology and how it intersected with his prior research on the history of materials. The University of Georgia, +2 more Jennifer Jacobs Social Worker at Sir Moses Montefiore Jewish Home Greater Sydney Area. He has received over 70 international prizes and awards for his works, including three Prizes at Bourges Electroacoustic Music Competition, the prestigious Magisterium Prize and Giga-Hertz Special Award, 1st Prize in Metamorphoses competition, 1st Prize in Yamaha-Visiones Sonoras Competition, 1st Prize in Musica Nova competition. Single-Subject (SST, Secondary) Content Supervisors: English-Language Arts . The lab is based in the California NanoSystems Institute and is affiliated with the Four Eyes Lab in MAT and Computer Science and the Center for Interactive and Visual Computing (CIVC). Santa Barbara CA 93106-9490. He is the creator of Artsmesh, a macOS application for live networked music performance. In the mid 90s, his contribution to Inteational architectural discourse was further expanded by the coining and definition of the term "Transarchitectures" His approach: "we conceive algorithmically (morphogenesis); we model numerically (rapid prototyping); we build robotically (new tectonics); we inhabit interactively (intelligent space); we telecommunicate instantly (pantopicon); we are informed immersively (liquid architectures); we socialise nonlocally (nonlocal public domain); we evert virtuality (transarchitectures)". Ken is on the editorial board of the Journal of Organised Sound and advisor to the Electroacoustic Music Studies Asian Network (EMSAN). 223k Followers, 1,160 Following, 1,650 Posts - See Instagram photos and videos from JENNIFER JACOBS - Wellness Fitness & Nutrition (@jmethod) jmethod. Media Arts and Technology. Extending Manual Drawing Practices with Artist-Centric Programming Tools In Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Montreal, QC, Canada, April 2018. He undertook speech recognition research at Vocal Point Inc., now part of Nuance (makers of Siri), and sonar R&D at ARL Austin. Jennifer Jacobs is a Ph.D. candidate at the MIT Media Lab in the Lifelong Kindergarten Research Group. ALL RIGHTS RESERVED. Jennifer Jacobs, PhD, is an Associate Professor in the Elementary Education Program at the University of South Florida. He has been working on the Makrolab, a project that focuses on telecommunications, migrations and weather systems research in an intersection of art and science from 1997-2007, the Interpolar Transnational Art Science Constellation during the International Polar Year (project 417) and is currently coordinating the Arctic Perspective Initiative art/science/tactical media project focused on the global significance of the Arctic geopolitical, natural and cultural spheres together with Matthew Biederman. Office: ED 3262, University of California, Santa Barbara In line with this vision, ECG builds new computational tools that enable artists, designers, and engineers to integrate core computational affordances with their own knowledge and practices. All Rights Reserved. He has unique experience in HDLAs (High Density Loudspeaker Arrays) through his work in the Sonic Lab in the Sonic Arts Research Centre and the Allosphere at UCSB. 0000006941 00000 n At UCSB, she directs the Expressive Computation Lab, which investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Art, Electronic Theater or Performance Jury. He taught at Aveiro University (Portugal) and Federal University of Minas Gerais (Brazil). loh2o@ucsb.edu With over 20 years of research experience in audio and digital signal processing, he was a long time contributor to the Csound language and developed the widely-distributed Csound development environment CsoundQt. with your company email address. Professor Emeritus Lecturer. . She works across the fields of computational art and design, human computer interaction, and systems engineering. Connect With UC SANTA BARBARA. Department of English. She completed a masters of science in the High-Low Tech group and an . Public figure. Dr. Visell's directs the RE Touch Lab, leading fundamental and applied research on the future of interactive technologies. She was recently given the Creative Capital Award, the LACMA Art + Tech Lab Grant, the Steve Wilson Award from Leonardo, the International Society for Art, Sciences, and Technology, Carolyn Glasoe Bailey Foundation Art Prize, and the Craft Futures Grant from Center for Craft. 0000006065 00000 n ::dRUbN8(KAfjp-ip,.>J@ ,(KZT* ]/ 5CPb ti( 1NpqA PPw Ef} -F`Ivp5L1D0D1dLd7& Professor Jennifer Jacobs. A state-of-the-art research and teaching facility. In the course of our research, we explore new methods to integrate iterative systems engineering with professional creative practices. Jennifer Jacobs is Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). Dr. Cabrera worked for more than six years as a professional sound designer and audio engineer and has taught at the undergraduate and graduate level in three countries. Supporting Expressive Procedural Art Creation through Direct Manipulation. UC Santa Barbara Santa Barbara, California 93106 (805) 893-8000. natalie.holdren@ucsb.edu Jennifer Jacobs and Leah Buechley Codeable Objects: Computational Design and Digital Fabrication for Novice Programmers. hb```b``9sAc[XgzIw6DeaXP!jU"3g2Fss4>y~e+sKCLV$*>3-Gy5bw/k U5 He is a Fellow of the Optical Society of America and of the American Association for the Advancement of . University of California, Santa Barbara. Jeremy covers Western water, weather and legal issues for E&E News, where he has worked since February 2011. . University of California, Santa Barbara A fully updated and accurate Bio-Bib is exceptionally important because this is the official record . Candidates should have a solid technical background and a strong interest in art, design, or manufacturing applications of computation. She has published at the most selective HCI and VR venues such as CHI, UIST, VRST, and DIS where she received multiple best paper awards and honorable mentions. Donate to the Lab. Collectively, my research demonstrates how developing computational workflows, representations, and interfaces for manual and physical making can enable manual creators to leverage existing knowledge and skills. In this email, Birchim explains how many students are "finding themselves without options" for His interests are the algorithmic composition of instrumental, electronic and computer music, music software development as well as interdisciplinary activities, e.g. In 2010-11, he shared a Collaborative Research Fellowship from the American Council of Learned Societies with Cyrus Mody (Rice University) and Mara Mills (NYU) which will help support the writing of this book as well as a new project on "high tech intellectuals". Pre-Professional Coordinator: Her work is in the permanent collection at the Los Angeles County Museum of Art. He is also principal investigator of the UCHRI multi campus research group "Critical Machine Learning Studies" (2021-23), and the international research project "AI Forensics" (2022-25), funded by the VW foundation. Please enable it to continue. Her current music research is focusing on a general purpose interface for control of digital information through natural performance gesture. Specialties: computer vision, human-computer interaction, multimodal/perceptual interfaces, gesture recognition. Her work is discussed in numerous books, for example, in "Internet Art" by Rachel Greene and "Digital Art" by Christiane Paul (Thames and Hudson). Accessibility Specialization: Data visualization, computation & photography, interactive media art installation, mobile robotic multi-camera imaging. 0000004076 00000 n Job 1, Jennifer Jacobs' debut program with The Beachbody Company, invites you to give your health the same commitment you would any other job for real fitness results in just four weeks. Pollock T.M, Clarke A.J, Babu S.S . Department of Music. (805) 893-2084 The new paradigm of computing, harnessing quantum physics. Prior Employment Postdoctoral Fellow, Computer Science, Stanford University A composer of primarily electro-acoustic works, her music has been performed throughout the United States, Europe and Asia. Chandra's efforts have been recognized with a 2006 NSF CAREER award, the 2008 CRA-W Anita Borg Early Career Award (BECA), and the 2008-9 UCSB Academic Senate Distinguished Teaching Award. To answer these questions, our current work focuses on Human-Computer Interaction (HCI), eXtended Reality (XR), and Human-Centered Artificial Intelligence (AI). Computers are becoming more ubiquitous, appearing in a proliferation of shapes and sizes. She is director of the Expressive Computation Lab a group whose research spans computational art and design, human computer interaction, and systems engineering. In 1988 he was Director of Music of the XIVth International Computer Music Conference, held that year in Cologne. TikTok; Twitter; Instagram; LinkedIn; 0000001375 00000 n 0000008107 00000 n Her research lab investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. He has published, lectured and exhibited his work internationally. The software was tested in performances on the 48.4 speaker Klangdom of the ZKM, the 54.1 AlloSphere at UCSB, and the 28.2 sound system of the Mumuth in Graz, Austria. His commission for the Seattle Public Library, "Making Visible the Invisible", begun in 2005 is a permanent installation consisting of algorithms that statistically analyze the flow of books and other media that are checked-out daily from the library to map out how library culture is changing over time. Jennifer JACOBS of University of California, Santa Barbara, CA (UCSB) | Contact Jennifer JACOBS His doctoral research examined the culture and technology of glassmaking in Renaissance Venice. We focus on supporting . His first book, Wordsworth: The Sense of History (Stanford Univ. He was Editor and Associate Editor of Computer Music Journal (The MIT Press) from 1978 to 2000, and cofounded the International Computer Music Association (ICMA) in 1979. "Computation shapes the way people make things," said Stanford Computer Science researcher Jennifer Jacobs to a crowded room in Elings Hall during a Media and Art Technology seminar last week. MS, Geography, University of Toronto, Canada The EC2 project was realized by a team consisting of Roads as project manager, with software developers Jack Kilgore and Rodney Duplessis. Media Arts and Technology. His composition Clang-tint (1994) was commissioned by the Japanese Ministry of Culture (Bunka-cho) and the Kunitachi College of Music, Tokyo. Jacobs works across the fields of computational art and design, human-computer interaction, and systems engineering. He initiated and in 1986 co-founded GIMIK: Initiative Music and Informatics Cologne and served as chair for thirteen years. 0000001180 00000 n A researcher at MIT (1980-1986), he also worked in the computer software industry for a decade. He studied acoustic and electronic composition from 1968-73 at Cologne Music University as well as sonology from 1971-72 at Utrecht University. Hybrid craft: showcase of physical and digital integration of design and craft skills, Digital craftsmanship: HCI takes on technology as an expressive medium, Extending manual drawing practices with artist-centric programming tools, Supporting expressive procedural art creation through direct manipulation, Remote Learners, Home Makers: How Digital Fabrication Was Taught Online During a Pandemic, Direct and immediate drawing with CNC machines, What We Can Learn From Visual Artists About Software Development, Crosscast: Adding Visuals to Audio Travel Podcasts, Dresscode: supporting youth in computational design and making, Supporting Visual Artists in Programming through Direct Inspection and Control of Program Execution, Dynamic Brushes: Extending Manual Drawing Practices with Artist-Centric Programming Tools, Remote Learners, Home Makers: How Digital Fabrication WasTaught Online During a Pandemic, Algorithmic craft: the synthesis of computational design, digital fabrication, and hand craft, Making at a Distance: Teaching Hands-on Courses During the Pandemic, Learning remotely, making locally: Remote digital fabrication instruction during a pandemic, Multi-View AR Streams for Interactive 3D Remote Teaching, Dynamic drawing: Broadening practice and participation in procedural art. Misha Sra is the John and Eileen Gerngross Assistant Professor and directs the Perceptual Engineering Lab in the Computer Science department at UCSB. During the series of World Information.org projects, he has installed several communications mapping and interception systems and projects and his research led him to map the command and control communications networks and response during the Srebrenica genocide. 735 20 Work 1960). He holds a PhD from University of California, Santa Barbara, where he was a fellow of the Regents of the University of California, and a Diploma from the Institute for Applied Theater Studies in Gieen, Germany, where he was a student of composer and director Heiner Goebbels and a fellow of the German National Academic Foundation. 2) Broadening professional computational making through computational fabrication technologies. University of California Santa Barbara Elings Hall Room 2215 Santa Barbara, CA, 93106 jmjacobs@ucsb.edu jenniferjacobs.co Research Interests . He was in charge of computer music from 1982-1994 at the Darmstadt Summer Courses for New Music and from 1984-2005 at Cologne Music University. This field is for validation purposes and should be left unchanged. She has presented her work and research at places such as Blum & Poe Gallery, LACMA, Frieze LA, and SOMArts Cultural Center. That being said. Alan Liu is Professor in the English Department at the University of California, Santa Barbara, and previously a faculty member in the English Department and British Studies Program at Yale University. Copyright 2023 The Regents of the University of California, All Rights Reserved. Jennifer Jacobs. Er zijn 800+ professionals die 'Jennifer Jacobs' heten en LinkedIn gebruiken om ideen, informatie en kansen uit te wisselen. H thng khng th thc hin thao tc ngay by gi. We develop domain-specific programming languages that allow practitioners to extend and modify software tools as they create. UC Santa Barbara. To support this argument, I will present research across three categories: 1) Integrating physical and manual creation with computer programming through domain-specific programming environments. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. She was Chief Scientist of the Program from 1998 to 2003. All artwork and text on this site are the exclusive copyrighted works ofthe artist or author. She also received an M.F.A. In a series of theoretical essays in the 1990s, he explored cultural criticism, the new historicism, and postmodernism in contemporary literary studies. Karin Lohwasser Lab: room 3005 (Systemics Lab), Elings Hall. Copyright 2023. trailer <<4D7E78DE4B274649907D09471A97BDD3>]/Prev 346937/XRefStm 1555>> startxref 0 %%EOF 1333 0 obj <>stream Undergraduate research fellow at the Center for Black Studies Research. 2. Major: Black Studies & Sociology. Beyond this, Tobias's main research interests lie in virtual reality, 3D displays and interaction, visualization, mobile and wearable computing, and adaptive user interfaces. George Legrady, Distinguished Professor of Digital Media. We create new hardware and software interfaces that allow practitioners to combine computational abstraction, automation, and generativity with direct-manipulation, manual control, and physical materials. Regents of the University of California. CREATE released the real-time granulation app EmissionControl2 for MacOS, Windows, and Linux in 2020. Her research examines ways to diversify participation and practice in procedural art and . Add to Calendar 01/19/2023 02:00 PM 01/19/2023 03:00 PM America/Chicago Jennifer Jacobs (UCSB) - Expressive Computation: . in Electrical Engineering in 1998 in the area of electron-beam lithography. Christina Tague's research is focused on the interactions between hydrology and ecosystem processes and, specifically, how eco-hydrologic systems are altered by changes in land use and climate. A composer of mixed media works, she received her Ph.D in 1984 from the Eastman School of Music, University of Rochester. Our goal is to create human-machine systems that extend the body and the mind, leaving us free to learn, to create, to think and to feel (Clynes and Kline. tepapp@education.ucsb.edu Dr. Cabrera's current research in interactive distributed computation is directed towards tackling the diverse complex issues around computational workflows in scientific research through the merging of human-computer interaction, literate programming, and multimedia display. UC Santa Barbara Jennifer Jacobs Login to UC Santa Barbara. 0000001921 00000 n His music includes opera, orchestral compositions, chamber music, electroacoustic music and experimental video. What You Don't Know About Meby Jennifer Jacobs. 0000003926 00000 n 0000001555 00000 n Jennifer Jacobs, USA, is Assistant Professor at University of California, Santa Barbara, in Media Arts and Technology, and director of the Expressive Computation Lab. Her group has recently developed and released AppScale - an open-source platform-as-a-service cloud computing system that implements the Google App Engine (GAE) APIs and that facilitates next-generation cloud computing research. and B.F.A from Hunter College and the University of Oregon respectively. Copyright 2023. 0000010406 00000 n Human Computer Interaction Programming Language Design Computational Fabrication. Dr. Jacobs is a faculty member at UC Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). University of California Santa Barbara Elings Hall Room 2215 Santa Barbara, CA, 93106 jmjacobs@ucsb.edu jenniferjacobs.mat.ucsb.edu Research Interests . Tobias holds a graduate degree in informatics from the Technical University of Berlin and MS and PhD degrees in computer science from Columbia University. ,01nXu`LzG3:0e`\qS9Ol*+20r2d01!X~>'@ 4cc endstream endobj 1332 0 obj <>/Filter/FlateDecode/Index[77 1229]/Length 53/Size 1306/Type/XRef/W[1 1 1]>>stream and B.F.A from Hunter College and the University of Oregon respectively. 293: Faculty & Staff. She created, built, and designed the Center for Research in Electronic Art Technology and is the Center Director since its inception in 1986. Reflecting that emphasis, she is one of the principal developers of the Regional Hydro-Ecologic Simulation System (RHESSys), an integrated model of spatially distributed carbon, water, and nitrogen cycling. He is currently writing a new book about "visioneers" - people who used their technical expertise to promote visions of a more expansive future made possible by the technologies they studied, designed, and promoted. He was visiting faculty at UCLA, Nova Scotia College of Art & Design, and the National Academy of Fine Arts, Budapest, Hungary. Facebook; Instagram; LinkedIn; YouTube; Dennis Adderton is an Electrical Engineer with 20 years of experience in the design of scientific instruments and is currently employed as Technical Director for the Allosphere Research Facility, in the California NanoSystems Institute at UCSB. As AI decouples intelligence from consciousness, as XR technologies transform perception, and as matter becomes machine manipulable, three key questions about the future arise: 1) what will newer AI-infused experiential interfaces look like where digital bits occupy space and algorithms have faces, 2) what can we learn about human behavior through human-AI interaction and how can AI models learn from human behavior, and 3) how will a shift from data-centric to human-centric AI systems augment our capabilities and enrich our lives? MFA Computers in Fine Arts, CADRE, San Jose State University. Ecohydrology and Ecoinformatics, PhD, Geography, University of Toronto, Canada

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